{"id":13095,"date":"2025-12-04T18:43:09","date_gmt":"2025-12-04T13:13:09","guid":{"rendered":"https:\/\/theeducationoverview.in\/?p=13095"},"modified":"2025-12-04T18:43:09","modified_gmt":"2025-12-04T13:13:09","slug":"writing-is-emotion-imagined-editing-is-emotion-experienced-raju-hirani","status":"publish","type":"post","link":"https:\/\/theeducationoverview.in\/?p=13095","title":{"rendered":"Writing is Emotion Imagined, Editing is Emotion Experienced: Raju Hirani"},"content":{"rendered":"
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Writing is Emotion Imagined, Editing is Emotion Experienced: Raju Hirani<\/strong><\/span><\/h2>\n


\nTheme is the Soul of a Film, while Conflict in the Story becomes Oxygen: Hirani<\/span><\/strong><\/span><\/h3>\n<\/div>\n
<\/div>\n

#IFFIWood, 24 November 2025<\/strong><\/span><\/p>\n

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Lights dimmed, minds opened, and creativity danced in the air at IFFI today as the crowd settled in for what felt less like a workshop and more like a cinematic power-boost. The moment Raju Hirani walked in, the Kala Academy Hall buzzed with the kind of excitement usually reserved for blockbuster Fridays. By the time he finished, writers were scribbling hurriedly, editors were nodding knowingly, and cinephiles were floating somewhere between inspiration and awe.<\/strong><\/span><\/p>\n

The punch lines of one of the most successful and renowned filmmakers were etched in the hearts and minds of film buffs. \u201cWriting is Emotion Imagined, Editing is Emotion Experienced. Writer writes the first draft, Editor, the last. Theme is the Soul of a film, while Conflict in the Story becomes Oxygen.\u201d<\/strong><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

While addressing the Masterclass cum Workshop on the theme, \u201cFilm is Made on Two Tables- Writing and Editing: A Perspective\u201d, Hirani began by capturing the essence of the writing process with poetic simplicity: \u201cWriting is a place of dreaming.\u201d He described how the writer enjoys boundless freedom\u2014unlimited skies, perfect sunrises, flawless actors, no budgets and no constraints. But the moment these imagined scenes reach the editor\u2019s table, reality inevitably transforms them. \u201cA film begins,\u201d Hirani noted, \u201conly when a character truly wants something. That desire becomes the heartbeat of the narrative. And conflict,\u201d he added, \u201cis oxygen\u2014without it, nothing breathes.\u201d<\/strong><\/span><\/p>\n

He urged writers to ground their stories in lived experience. \u201cA good writer must pick triggers from life. Real experiences make stories incredible, unique, and deeply appealing,\u201d he flagged. He also reminded the audience that exposition should be woven invisibly into drama, and that the theme, the film\u2019s soul must whisper consistently beneath every scene.<\/strong><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

Speaking with warmth about his first love\u2014editing, Hirani illuminated the editor\u2019s profound yet hidden power. \u201cWhen the footage reaches the editing table,\u201d he said, \u201ceverything becomes different. The editor reimagines the story. He is the unsung hero. His work is invisible, but it holds the film together,\u201d he remarked.<\/strong><\/span><\/p>\n

Describing the editor\u2019s toolkit, he explained that the unit of editing is the shot, and a single shot, placed in a different context, can completely transform meaning.\u00a0\u201cSo powerful,\u201d he smiled, \u201cthat an editor can flip a story 180 degrees.\u201d<\/strong><\/span><\/p>\n

Quoting early cinema pioneers, Hirani recalled DW Griffith\u2019s famous idea that \u201ca good editor plays with your emotion.\u201d He closed this segment with a striking truth that resonated across the room: \u201cThe writer writes the first draft. The editor writes the last.\u201d<\/strong><\/span><\/p>\n

Hirani stressed that antagonists must possess as strong a point of view as protagonists. \u201cEvery character,\u201d he said, \u201cbelieves they are right. That is where the story\u2019s electricity comes from. This clash of truths, this tension between perspectives, is what gives a narrative its pulse,\u201d he added.<\/strong><\/span><\/p>\n

\"\"<\/strong><\/span><\/p>\n

Joining the engrossing conversation, acclaimed screenwriter Abhijat Joshi reflected on the extraordinary power of real-life memories in storytelling. He explained that certain moments\u2014whether hilarious, heartbreaking, or startling\u2014remain etched in our minds for decades, and therefore carry an authenticity that scripted inventions often cannot match. Many such recollections, he revealed, later found their way into\u00a03 Idiots<\/em>, including the famous electric-shock gag and several subtle character details drawn from people he had observed over the years.<\/strong><\/span><\/p>\n

Joshi concluded with timeless screenwriting truths: every character must have a compelling want, conflict is the oxygen of cinema, and the strongest drama arises when two valid, opposing truths collide.<\/strong><\/span><\/p>\n

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About IFFI<\/u><\/strong><\/span><\/p>\n

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia\u2019s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse\u2014where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix\u2014international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa\u2019s stunning coastal backdrop from November 20\u201328, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices\u2014an immersive celebration of India\u2019s creative brilliance on the world stage.<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Writing is Emotion Imagined, Editing is Emotion Experienced: Raju Hirani Theme is the Soul of a Film, while Conflict in the Story becomes Oxygen: Hirani #IFFIWood, 24 November 2025 Lights dimmed, minds opened, and creativity danced in the air at IFFI today as the crowd settled in for what felt less like a workshop and …<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13095","post","type-post","status-publish","format-standard","hentry","category-education-news"],"_links":{"self":[{"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=\/wp\/v2\/posts\/13095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13095"}],"version-history":[{"count":1,"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=\/wp\/v2\/posts\/13095\/revisions"}],"predecessor-version":[{"id":13097,"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=\/wp\/v2\/posts\/13095\/revisions\/13097"}],"wp:attachment":[{"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theeducationoverview.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}